My Painting Experiences
by MaryAnn Cleary on 1/23/2012 10:21:45 AM
Caboose
"Caboose"
oil on linen, 6 x6 inches
This is is the last little character of an old wooden pull toy. The end. My hope is to do a few more paintings of this little pull toy. The next will be of one of the other little characters on this pull toy and then another painting of the entire thing. This will probably a long painting so that all the little guys fit on the canvas. When completed the paintings will make a cute grouping. Available in my gallery and at auction at Daily Paintworks. Enjoy!
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by MaryAnn Cleary on 1/18/2012 11:05:24 PM
"Tangerine Tango Sunset"
oil on linen, 6x8 inch, unframed
The color of the year according to The Patone Company is "Tangerine Tango", a beautiful and vibrant orange. The above painting is in response to the Daily Paintworks challenge for this week. The challenge is to paint something using the color chosen for 2012, tangerine tango. It did not take me much time to decide what to do. A few years back I spent a couple of weeks in Cabo San Lucas in Mexico. The sunsets there still remain in my memory. I did take lots and lots of photos during my stay. This brought back some wondrous memories of days in the sun....especially as I stand in my studio today, the coldest day so far this winter, and the temperature is a few degrees below zero F. Enjoy! P.S. Make sure to come back and check on my future testing of more pastel papers. The next one will be a blue colorfix suede surface. I am not sure what I am going to do with that one.
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by MaryAnn Cleary on 1/17/2012 2:38:20 PM

"Winter Stillness"
pastel on paper, 7.5 x 11 inches
TESTING PASTEL PAPERS ~ Test #2:
- This is the second pastel paper that I am testing out of a sample package of twelve sample-size papers. Each is approximately 9x12 inches. There is an assortment of colors, types and shades of paper.
- My hope is to take each paper and produce a piece of artwork using it and then provide feedback on each paper. What I hope to gain from this exercise is more experience on different surfaces using pastels. One should "rock the boat" now and then and try new things. For me, this is a way to learn and experience new methods - Maybe even gain some useable knowledge.
THE SECOND TEST PAPER:
- Art Spectrum Colorfix Supertooth. This paper surprised me. After my experience with the Colored Colorfix paper, I did not have great expectations for this paper. The surface quality is much coarser than the first colorfix paper that I tried. I has a lot more surface area to grab the pigment of the pastel.
- Paper Qualities.
- The paper is creamy white tone.
- I did use a light watercolor wash for an undertone. It helps me with blocking in shapes gives me a bit of guidance in the design. Also, since the paper is light in color less pastel is needed to fill in the different values when an underwash is used.
- The surface is fairly textured a bit like sandpaper. The surface appears to have tiny little bubbles that popped providing a rough textured surface (more surface area so that there is more for the pastel to grab onto.)
- Fill qualities: Compared to the first paper that I used, I actually liked this one. I would even consider purchasing it. I could layer, blend and have fun working the pastel. I did not make much pastel dust with this paper as compared to the first one.
- Blending: I tried a cotton rag (t-shirt material) and a tortillon blending stick. When blending with the rag, I would use short strokes in areas that I wanted to soften the pastel. The blending stick would great and I used it quite a bit.
- Fixative: Did not use.
SUMMARY....or just my experience and opinion:
- This paper gets a thumbs up. I did use a light watercolor wash and I found the paper to take the watercolor nicely. The surface is a little weird looking, but it did the job.
SUMMARY CHART for the future.....:
After I complete the comparison of papers, I will put together a chart of sorts with the name of the actual paper used, the pros, the cons, the cost, colors available and the type of pastels that seem to work best (pencils, hard or soft)...of course, this is just my humble opinion.
Two papers tested and ten more to go...also a handmade surface to be included.
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by MaryAnn Cleary on 1/15/2012 9:53:39 AM
 Misty Afternoon
TESTING PASTEL PAPERS:
- This is the first pastel paper that I am testing out of a sample package of twelve sample-size papers. Each is approximately 9x12 inches. There is an assortment of colors, types and shades of paper.
- My hope is to take each paper and produce a piece of artwork using it. What I hope to gain from this exercise is more experience on different surfaces using pastels. One should "rock the boat" now and then and try new things. For me, this is a way to learn and experience new methods - Maybe even gain some useable knowledge.
THE FIRST TEST PAPER:
- Art Spectrum Colored. Initially, I thought that I would love this dark gray pre-toned paper. Wrong. I started two different paintings on this paper, and I eventually wiped each one of them off after struggling with each one of my trials. They say the third time is a charm. That seems to be the case with this paper.
- Paper Qualities.
- The paper is colored with a very dark gray tone. If one compared this paper to a gray scale finder, the value would be around a no.2 with one being black and ten being white.
- The surface is fairly smooth like a very fine sandpaper. However, if a pastel is dragged across the paper on its side, there are dimples that pop out and do not fill with pigment. This quality annoyed me.
- Fill qualities: I had difficulties with this one. I like to layer the pastels typically starting with a hard pastel and then using a softer version. The paper seemed to fill quickly and after a couple of layers, the pastel would just make a lot of dust and not seem to want to stick very well.
- Blending: I tried a paper towel and a blending stick. The paper towel did blend the pastel, but a lot of it just came off. A blending stick worked well, especially for getting the pastel into those little dimples.
- Fixative: This is something that I typically do not use. However, after struggling with trying to get something onto the paper, I sprayed a workable fixative onto it. The pastel just seemed to sink into the dark paper and disappear.
SUMMARY....or just my experience and opinion:
- I believe this paper probably works fine for someone who likes fine lines and a lot of detail work. Just not me. Maybe I need to work more with it. In the end, the paper and I did not click - maybe a different colored paper would work better for me.
SUMMARY CHART for the future.....:
After I complete the comparison of papers, I will put together a chart of sorts with the name of the actual paper used, the pros, the cons, the cost, colors available and the type of pastels that seem to work best (pencils, hard or soft)...of course, this is just my humble opinion.
More to come. Enjoy!
MaryAnn P.S. I typically use a Wallis paper so I had a difficult time re-adjusting my style for this paper type....drove me crazy. I also like to tone the paper using watercolor and a paper with a lot more texture.
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